Αποτελέσματα Αναζήτησης
In lower-class Naples the duality of social relations is very evident. People are close to one another, aware of one another, ready to defend one another; but this same closeness provides...
Eduardo de Filippo was one of Italy's leading popular dramatists, a fearless social critic, a supreme man of the theatre, and a humane and compassionate writer.
Eduardo De Filippo OMRI (Italian: [eduˈardo de fiˈlippo]; 26 May 1900 – 31 October 1984), also known simply as Eduardo, [1] was an Italian actor, director, screenwriter and playwright, best known for his Neapolitan works Filumena Marturano and Napoli Milionaria.
26 Δεκ 2018 · Eduardo De Filippo, Naples and the Neapolitan popular theater – De Filippo’s inspiration and creative process – Early works, range and versatility – neorealism – Reality vs. illusion – Family drama – Theater, the art of social awareness – Plays of social protest – Conclusion
In 1955 Eduardo De Filippo's Filumena Marturano, translated as The Best House in Naples, ran on Broadway for ten performances. In 1974 his Sabato, domenica e lunedi (Saturday, Sunday and Monday) ran on Broadway for three weeks. This dubious foray onto the mecca of the American professional stage falls considerably short of Eduardo's pro-
1 Φεβ 2010 · Eduardo De Filippo can be defined as one of the most prominent contemporary Italian playwrights who employed dialect to portray characters who trespassed the boundaries of both Neapolitan and Italian society and to address social issues which were comprehensible to a vast public.
This thesis offers the first English translation of Eduardo De Filippo’s last play, Gli esami non finiscono mai (1973). It analyzes the play in the context of the dramatist’s career and describes the philosophical shift that took place in Eduardo’s dialectic as he progressed from ... The author retains copyright of this thesis.
