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Eduardo De Filippo OMRI (Italian: [eduˈardo de fiˈlippo]; 26 May 1900 – 31 October 1984), also known simply as Eduardo, [1] was an Italian actor, director, screenwriter and playwright, best known for his Neapolitan works Filumena Marturano and Napoli Milionaria.
His plays, which have been performed in many countries throughout the world, include Napoti Mikonaria (1945; National Theatre, London, 1991), Too Many Ghosts (1946), fUumena Marturano (1946; Lyric Theatre, London, 1977), Grand Magic (1948; Royal National Theatre, 1995), Inner Voices (1948; National Theatre, 1983), Saturday Sunday Monday (1959; N...
Near the end of World War I in 1918, Eduardo was drafted into the military. After a temporary discharge at the end of the year, he was recalled in 1920 to complete his service in the Bersaglieri (2nd Bersaglieri Regiment, stationed in the historic La Marmora barracks in Trastevere), where he remained until 1921.
15 Αυγ 2024 · In the following essay, Bentley surveys de Filippo's themes in his major plays and discusses the influence of his life in Naples on de Filippo's work.
3 Αυγ 2011 · De Filippo (or Eduardo, as he was universally known) first tied a bond with this country when he brought Napoli milionaria, his first mature postwar work, to the Aldwych in 1972. The bond was tightened by the National Theatre's steady progress through his finest plays.
9 Νοε 2023 · Later, he acquired and restored the "Teatro San Ferdinando" in Naples, an 18th-century building that had been severely damaged during World War II. There, he performed many of his own works and those of other authors, elevating the Neapolitan dialect to the status of a cultural theatrical language.
26 Δεκ 2018 · Eduardo De Filippo, Naples and the Neapolitan popular theater – De Filippo’s inspiration and creative process – Early works, range and versatility – neorealism – Reality vs. illusion – Family drama – Theater, the art of social awareness – Plays of social protest – Conclusion
