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  1. 1 Αυγ 2011 · What is meant by ascribing an ideological function to art?“To call a discourse ideological,” says Paul Mattick, “is to read it differently than did its originators: in particular, to recognize at its basis a set of assumptions not explicitly recognized by them.” 16 As the term ‘ideology’ is used in critical philosophy, where it has ...

  2. Here is Mattick's description of one primary way that ideology works in modern times, and how. includes art: of artworlds and next to nothing about the past. and present connections of the field of art. Characteristic of modern ideology is the idea that culture rest of the social world.

  3. What has been the relationship between art history and dominant ideologies? Is critical art primarily connected with the avantgarde or can it also be found in earlier periods? If so, in which forms? Why do ideologies hijack art and how does art participate in creating and embedding ideologies? Can we easily draw a line between art and ideology?

  4. Summary. Louis Althusser's 1970 essay “Ideology and ideological state apparatuses” is arguably the most influential and important document in contemporary critical practice and its theory. In one way this is puzzling, for the essay contains almost nothing that can be recognized as an argument.

  5. 29 Αυγ 2011 · Idealists invert this hierarchy. This is explicit in Benedetto Croce (1913, 1965, 9–10) when he asserts that works of art cannot be physical entities because works of art are “supremely real” whereas the physical world is “unreal.”. Another proponent of an idealist ontology of art is Waldemar Conrad (1908–09).

  6. In this chapter, I want to look at what is meant by the claim that art is ideological, and to review some of the work on the theory of ideology in general and the analysis of art in particular in order to try to arrive at an adequate understanding of art as ideology.

  7. 24 Μαΐ 2017 · Highly regarded repositioning and revaluation of the 20th-century propaganda image (and art) against and operating outside of the dialectic structure of the art market. These philosophical essays in two parts, one part on propaganda images of the 20th century.

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