Αποτελέσματα Αναζήτησης
In line with the Mabuhay Singers, Filipino choral ensembles strive for the same musical goals as other choirs that have developed with Western influence the world over, including good ensemble, precise intonation, tonal blending, expressiveness, and clear diction.
This paper seeks to theorize the adverse and favorable effects of K-pop music with regard to its significance to contemporary Filipino national identity through assessment of history, culture, and meaning.
The thesis examines the styles of music and the ways in which music is used by the Filipino migrant community in Christchurch during 2008, encapsulated in their fiesta celebrations. It acknowledges the recent growth in Filipino migration to New Zealand and seeks to identify a corresponding increase in Filipino musical activity.
Filipino choral music include showing reverence for Catholic traditions through the setting of sacred texts, setting secular texts in dual languages, combining musical elements of Asian and Western contemporary styles, and addressing emotional characteristics as a reaction to real-life
Given a generalized historical relationship between Philippine musical culture and that of the West, this study will tackle the main problem: ‖How did western vocalism become a Philippine ‗school‘ or tradition of singing?‖ In answering this main problem the following sub-problems are raised: 1.
Musicology in the Philippines. CORAZON C. DIOQUINO (QUEZON CITY) This report aims to give a picture of the state of musicological studies Philippines. It includes studies on music transmitted by oral tradition musicological) as well as research done on written music (musicological).
The University of the Philippines Madrigal Singers (UPMS), also known as the Philippine Madrigal Singers [1] or simply Madz, is one of the major choral groups based in the University of the Philippines, Diliman. Its current conductor, musical director, and choirmaster is Mark Anthony A. Carpio.
