Αποτελέσματα Αναζήτησης
6 Οκτ 2014 · This article explores the forensic aesthetic of four contemporary artists who draw on the legal archive. The growing cultural engagement with law's archive demonstrates that artists and curators are no longer simply exhibiting archival police photographs.
Forensics is an aesthetic practice because it involves the modes and the means by which incidents are sensed and evidence is presented. Aesthetics is employed in different ways across the three domains of forensic operations – the FIELD, the LABORATORY and the FORUM.
The nominal authenticity of a work of art of any culture may be impossible in many cases to know, but where it is possible, it is a plain empirical discovery. To identify expressive authenticity, on the other hand, is a much more contentious matter, involving any number of disputable judgements.
explore the tradition of the forensic aesthetic in art by way of a select number of artworks. This chapter focuses on investigating the way in which these works, whether consciously or unconsciously, speak of associations between violence and representation through the mode of the forensic aesthetic.
31 Δεκ 2018 · The images Weizman retrieved in 1996 sparked his formulation of “forensic aesthetics.” His seminal work, Hollow Land: Israel’s Architecture of Occupation (2007), uses one hundred and nineteen images (i.e., maps, infographics, video stills, topographical sketches, etc.) to recount Israel’s territorial policies from 1981-2003.
FORENSIC AESTHETIC is a research project led by James Frieze that facilitates conversation about forensic aesthetics by bringing together artists,academics and activists across institutional separation of science from art.
Charles Stankievech dissects the intertwined histories of forensics, ethics and aesthetics in relation to recent art practice.
