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  1. Giulia Lama (active mainly first half of 18th century) was an Italian painter, active in Venice. Her dark, tense style contrasted with the dominant pastel colors of the late Baroque era. Lama was born c. 1681 in the parish of Santa Maria Formosa in Venice.

  2. en.wikipedia.org › wiki › Giulia_LamaGiulia Lama - Wikipedia

    Giulia Elisabetta Lama (1 October 1681 – 7/8 October 1747) [1] was an Italian painter, active in Venice. Her dark, tense style contrasted with the dominant pastel colors of the late Baroque era. She was one of the first female artists to study the male figure nude.

  3. 6 Νοε 2023 · Giulia Lama was one of the prominent Italian painters and the first female artist to study male and female nude models from life to perfect her compositions. Remembered for her Religious depictions, decorating several important Churches in Italy, her art depicts graceful figures and smooth coloring, almost eye-pleasing to viewers.

  4. Giulia Lama: List of works - All Artworks by Date 1→10. List of works Featured works (5) All Artworks by Date 1→10 (12) All Artworks by Date 10→1 (12) All Artworks by Name (12) Styles Baroque (4) Tenebrism (8) Genres mythological painting (2) nude painting (nu) (2) portrait (2) religious painting (5) ...

  5. Her painting, characterized by its intensity and anti-academic style, follows the Venetian 'neotenebrismo' of Piazzetta, the young Tiepolo, Langetti, and Zanchi. Some noteworthy examples include 'Samson and Delilah,' in a private collection, and particularly the 'Martyrdom of Saint Eurosia,' at Ca' Rezzonico in Venice.

  6. Page of Judith and Holofernes by LAMA, Giulia in the Web Gallery of Art, a searchable image collection and database of European painting, sculpture and architecture (200-1900)

  7. Among her better known works is a Self-Portrait of 1725 (Florence, Galleria degli Uffizi), showing her at the approximate age of forty-four. That work, and many of the roughly thirty paintings ascribed to her, evince the decisive influence of Piazzetta, who did a portrait of her in the guise of Painting (c. 1720, Madrid, Museo Thyssen-Bornemisza).

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