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  1. Petrarchan/Italian sonnets are fourteen lines long and follow an initial rhyme scheme of ABBAABBA. They use iambic pentameter as their meter. E.g. William Wordsworth's ' Composed Upon Westminster Bridge,' in which he celebrates the beauty of London, is a famous example of a Petrarchan/Italian sonnet.

  2. The structure of a typical Italian sonnet of the time included two parts that together formed a compact form of argument. First, the octave (two quatrains), forms the ‘proposition’, which describes a ‘problem’, or ‘question’, followed by a sestet (two tercets), which proposes a ‘resolution’.

  3. 5 Μαρ 2024 · The Petrarchan sonnet is a poem that forms part of the tradition of sonnet structures. This means that it has 14 lines like all sonnets, but it has a specific structure that is unique to it. The Petrarchan sonnet has been a major influence on Italian literature, and, by extension, all the countries touched by Italian poetry.

  4. Traditionally, sonnets are fourteen-line poems that follow a strict rhyme scheme and conform to the metrical pattern of iambic pentameter. The word sonnet comes from the Italian word “sonneto,” meaning “little song.” Although there are some exceptions, sonnets are generally considered to be fourteen-line poems.

  5. Petrarchan sonnets, also known as Italian sonnets, are a classical form of verse that originated in Italy during the Renaissance. These sonnets consist of 14 lines written in iambic pentameter. The structure is divided into an octave (8 lines) followed by a sestet (6 lines).

  6. Italian or Petrarchan Sonnet: Named for the Italian Renaissance lyrical poet Francesco Petrarch, this sonnet pattern consists of an eight-line Octave with the rhyme scheme ABBA ABBA, followed by a six-line Sestet that follows one of two rhyme schemes, CDE CDE or CDC CDC.

  7. 28 Αυγ 2013 · The sonnet, one of the oldest, strictest, and most enduring poetic forms, comes from the Italian word sonetto, meaning “little song.” Its origins date to the thirteenth century, to the Italian court.

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