Αποτελέσματα Αναζήτησης
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In order to illustrate that thesis, this essay will trace the evolution of the image of the cross in the context of early Christian art: the first examples of the cross, the early images of Christ, and the first depictions of Christ on the cross.
This essay examines the theology of consubstantiality behind the broad development of this image model, and culminates in a main body concerning the variants of the Pantocrator in church domes. The dome image is accepted as the image to be categorised with this term for the purposes of Art History.
The article offers Biblical, Patristic and Historical understanding of the use of images in the Catholic Church and shows that the present-day use of images and icons are not equivalent to the idol worship condemned in the Bible. It offers a proper understanding of the use of images by the Catholics. See full PDF.
section, the history of the image of Christ will be explored, and a methodology capable of accommodating the diverse meanings assigned to the image will be developed. The first chapter
The Image of Christ expresses the view that modern secular audiences can engage with the masterpieces of Christian art at an emotional as well as a purely aesthetic or historical level.
Christ is the image of the Godhead in fullness and exactly represents the full nature of the Godhead to mankind. As such, He is the goal to which man should strive—to be conformed into the image of Christ in fullness so that man would be prepared to take on firstborn status so as to be numbered among a company of many mature sons. b.
