Αποτελέσματα Αναζήτησης
This study stylistically analyzes the semantic deviations in “Poem 130” by Jose Garcia Villa, a Philippine national artist for literature. Aside from the eccentric commas, his comma poem contains semantic deviations. Qualitative data were gathered to determine the functions of the semantic deviations found in the said poem.
This study analyzes the short story Footnote to Youth by Jose Garcia Villa using five literary theories. This aims at finding out what Footnote to Youth means as interpreted in terms of Biographical Criticism, Reader Response Criticism, Formalism, Archetypal Criticism, and Feminist Criticism theories.
This study deals with the semantic-based elements in English of the select poetic texts of Jose Garcia Villa, namely: ‘If My Sun Set in the West,’ ‘Lyric 17,’ and ‘Poem Written beneath a Blue...
This paper returns to Villa's first short story collection Footnote of Youth (1933) and argues for a reconsideration of the politics of Villa's modernist aesthetics.
The late Philippine-American poet, José Garcia Villa once said: “When my first volume of poems was published in Manila, I adopted the pen name, ‘Doveglion’— acronym for dove-eagle-lion to present a portrait of the poet: “gentle as a dove, free as an eagle, and fierce as a lion.”
Abstract – This study analyzes the short story Footnote to Youth by Jose Garcia Villa using five literary theories. This aims at finding out what Footnote to Youth means as interpreted in terms of Biographical Criticism, Reader Response Criticism, Formalism, Archetypal Criticism, and Feminist Criticism theories.
Further indicating that the “Yncantaress” sonnet is not only inspired by the Spanish language, but also from a Hispanic literary culture, in Villa’s notebooks one finds that during a span of three years, from 1939 to 1941, Villa consistently translated modern Hispanic poetry.
