Αποτελέσματα Αναζήτησης
1 Ιουλ 2022 · The first set of distinctions—kinesis, kinaesthesia, kinetics, and kinematics—and the second set—timing, tempo, and momentum—are used to analyse literary descriptions and visual depictions of...
1 Ιουν 2019 · Following this extended critical review, the article shows how Husserl’s phenomenology enlightens us about kinesthesia and in doing so offers us substantive clues to the phenomenology of ...
17 Αυγ 2021 · In this first of three theme chapters, I address the contemporary dancers’ particular type of kinaesthetic sensitivity, knowledge, and curiosity, what I refer to as a ‘kinaesthetic mode of attention’, in two ways.
28 Ιουν 2017 · Tracing the connections between these findings, and existing research in somatic practices and embodied cognition, reveals a range of distinctions and alternatives to flesh out the question: How can we understand and cultivate kinaesthetic awareness through interaction?
First, I address two aspects that comprise the ‘what’ of intersubjective kinaesthetic awareness: (1) exploratory practices, accentuated by the presence of bodily difference; and (2) the expansion of participants’ bodily awareness and skills.
I argue for the centrality of kinesthetic awareness to contemporary dance practice by bringing to-gether existing accounts and original interview material. Through dancer testimony, I offer a more comprehensive theorization of what this particular mode of attention feels like for dancers, in the phenomenological sense, than we have previously seen.
A heightened attention to the cognitive processing of kinesic features in acts of reception enhances the role and responsibility of readers and viewers in the ways in which they grasp the movement-based meanings formalized by artists of various cultures and historical periods.
