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30 Σεπ 2024 · Mannerism, (from maniera, “manner,” or “style”), artistic style that predominated in Italy from the end of the High Renaissance in the 1520s to the beginnings of the Baroque style around 1590.
- Mannerism Summary
Mannerism, Artistic style that predominated in Italy from...
- Mannerism Summary
Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it.
21 Οκτ 2018 · Mannerist artists took the principles established during the Renaissance to new extremes, culminating in an aesthetic that put a stylized twist on classicism. Here, we take a look at this lesser-known style, exploring its history and presenting the characteristics that define it.
In sixteenth-century Italy, where what we now call mannerism is first evident, the term “mannerism” did not exist. What we do find is “maniera,” a term rooted in the word mano (hand). It was used in a straight forward way by contemporaries to simply designate style.
Mannerism is a term used to describe a particular style of art that emerged during the Late Renaissance period, between the 1400s and 1600s. It is characterized by a highly stylized and exaggerated approach to form, composition, and subject matter.
Mannerism launched a highly imaginative period in art following the climax of perfection that naturalistic painting had reached in Renaissance Italy. Artists in 16 th century Florence and Rome started to veer from classical influences and move toward a more intellectual and expressive approach. This ushered in a veer from authentic portrayals ...
Derived from the Italian maniera, meaning simply “style,” mannerism is sometimes defined as the “stylish style” for its emphasis on self-conscious artifice over realistic depiction. The sixteenth-century artist and critic Vasari—himself a mannerist—believed that excellence in painting demanded refinement, richness of invention, and ...
