Αποτελέσματα Αναζήτησης
31 Μαΐ 2022 · In response to such occasional objections, the present contribution aims to discuss precisely the problem of intentionality: can music be “about” anything in the extramusical realm and can the notion of metaphor help shed light on such a music-to-the-world connection?
2 Οκτ 2014 · We look first at how the definition of “musical identity” has developed and widened since 2002, and at how it overlaps with other concepts such as personhood, the self-concept, and musical preference. The second section looks at some of the different psychological explanations of the development of musical identities, and the third with ...
Throughout the process of individualization in late modernity, human beings are more and more recognized as single persons, and individuals become more and more self-aware. Self-concepts are agents of consciousness, and powerful predictors of what people feel confident to do, and what they think about themselves.
10 Ιουλ 2015 · Music self-concept integrates perceptions, beliefs, and self-schemas about a person’s musical abilities and potential. Like other self-concept dimensions, it is multifaceted, hierarchically organized and has implications for motivation toward musical practice.
1 Ιαν 2002 · This concept of identity enables us to look at the widespread and varied interactions between music and the individual. The concepts of identity and the self have undergone some radical changes...
Musical self-concept refers to an individual’s perception of their own musical abilities, identity, and significance within the realm of music. This concept is closely tied to how people see themselves as musicians or music listeners, influencing their engagement with music and shaping their personal musical identity over time.
1 Ιαν 2015 · Metaphor in Music or Metaphor about Music: A contribution to the cooperation of cognitive. linguistics and cognitive musicology 1. Mihailo Antović. Faculty of Philosophy...
