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  1. 21 Ιαν 2016 · An analysis of how they struggle to construct acceptable versions of their selves as songwriter, bandleader and front (wo)man allows us to develop the conceptualization of self-questioning (as opposed to self-affirmative, resolution-oriented) identity work.

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      An analysis of how they struggle to construct acceptable...

  2. 31 Μαΐ 2022 · In response to such occasional objections, the present contribution aims to discuss precisely the problem of intentionality: can music be “about” anything in the extramusical realm and can the notion of metaphor help shed light on such a music-to-the-world connection?

  3. 13 Ιαν 2022 · We then discuss musical identities, focusing on what they are and why they are important, with a particular emphasis on the music performer identity, which we see as a construction that is negotiated between the public performer, the private self, and the musician.

  4. 4 Ιαν 2017 · Participation in music therapy offers opportunities for the participants to engage in identity work – to define, develop, or reflect on their understanding of themselves, and to cultivate new...

  5. 2 Οκτ 2014 · This chapter presents a critical review of current thinking on psychological approaches to musical identities, a subdiscipline of music psychology that has developed rapidly over the last decade. Musical identities are defined as being performative, constantly evolving and negotiated across a range of social contexts.

  6. 4 Δεκ 2008 · We provide a definition of identity, with a discussion of why identity is a timely topic for consideration. Also presented is a specific definition of musical identities, and we implicate music as an important feature of personal identity.

  7. 1 Ιαν 2008 · Because of its intangible nature, MUSIC tends to be the target of metaphorical mappings (Julich-Warpakowksi, 2019; Zbikowski, 2008), rather than the source. The specific scenario of an...