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1 Ιαν 2015 · PDF | On Jan 1, 2015, Mihailo Antovic published Metaphor in Music or Metaphor About Music: A Contribution to the Cooperation of Cognitive Linguistics and Cognitive Musicology | Find,...
Research in cognitive linguistics over the past three decades has contributed much to our understanding of processes of meaning construction, and to the role mappings between different domains play in the imaginative resources manifested through metaphor and metonymy.
The goal of using such metaphor is either (a) to describe and help us understand the music-theoretic system more clearly (musical metaphor in the absolute sense), or (b) to describe and help us understand events from the external world inspired by music (referential musical metaphor).
31 Μαΐ 2022 · The present paper uses the cognitive-linguistic theories of conceptual metaphor and conceptual blending and the author’s proposal for a “multilevel-grounded semantics” to suggest that the form/content dichotomy in music is in fact a matter of degree.
This study extends the limited literature on the application of metaphors within advanced music instruction, providing new insights into the nature and function of metaphor in the way that music is perceived, performed and taught.
Both music and language, for instance, are unique to the human species, both unfold over time, both have syntactic properties, and both make use of sound. Indeed, the notion that music is a language is the basis for some of the most prevalent metaphors used to describe music.
8 Δεκ 2015 · This article aims to provide a corpus-based evidence of (a) the ubiquitous presence of metaphors in verbal discourse about classical music and (b) the embodied basis of metaphors for...
