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It presented a history of the music of several Latin American nations as examples of the same cultural arena. Latin American music appears here as an array of regional and national “mestizajes” or mixings of each nation’s indigenous and Iberian roots—“la conjunción maravillosa de dos razas poderosas”—and, in the cases of Cuba and ...
“invented” Latin American music. The book illuminates thus, from the perspective of the formation of a regional musical space, the history of the representation of the world as made of discrete geocultural regions— upon which we still organize our uni-versities and music catalogues, and who.
The book’s century-long narrative is united by means of an overarching argument that country music has historically cycled in out and out of roots-oriented styles (i.e., nasal singing voices, fiddle and steel guitar instrumentation, and straightforward song forms) and country-pop incarnations (i.e., smooth singing voices accompanied by back ...
Through my research, I will analyze the styles of the past and the history of Latin American music in the United States, but I will also take a look at modern Latin American music and artists to see how much more significant it has become in the overall American music scene.
From elitist to seemingly democratizing efforts, from academic to nonacademic settings, from institutional to militant and grassroots support, experimental musical practices have often embraced their destabilizing, decentering, and countercultural roles as signs of the possible, as audiotopias where, as Josh Kun argues, the “space within and ...
23 Απρ 2020 · It analyzes intellectual, commercial, state, musicological, and diplomatic actors that created and elaborated this category. It shows music as a key field for the dissemination of a cultural idea of Latin America in the 1930s.
distinctions between historical musicology and ethnomusicology, between classical music and world music, can actually impede our understanding of Latin America's musical heritage.
