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Piano tuning theory is especially important for tuning by ear. Some tuning theory will overlap with basic piano theory in general, so if you are a pianist you may already know some of this information starting out. However, there is some theory that is specific to tuning theory that you otherwise will not probably know.
Understand that we name notes and intervals in piano tuning theory so that each note has one and only one name, and each distance between two notes (the interval) has one and only one name for each number of keys or notes.
Piano Tuning Methods and Tools. by. Mark Cerisano, RPT howtotunepianos.com. Skills Required. *A good tuner will check the ETD using their ear, but they don’t have to, unless they are trying for a high quality tuning. The better your stability; the less corrections you will have to do to your unisons. Tools.
A piano keyboard with the letter names of the black keys labeled. F is also known as E♯, and E is also known as F♭. C is also known as B♯, and B is also known as C♭. Example 6 also shows some of the double-sharp and double-flat accidentals. A double sharp is two half steps above a note. For example, D𝄪 is also E; E𝄪 is also F ...
Tuning the piano means adjusting the pitches of the strings so that all notes sound well when played, whether individually or together in various intervals and chords. To tune, one turns a tuning pin (or other tuning device) to alter the tension of the string and thus adjust the pitch.
Tuning Procedures and Temperament ¶. Tuning consists of “setting the bearings” in an octave near middle C, and then “copying” this octave to all the other keys. You will need various harmonic tunings to set the bearings and only the middle string of each note in the “bearings octave” is initially tuned. The “copying” is ...
Tuners generally don’t use flats (b) to name the black keys, just sharps (#). This produces some musically unusual combinations, like F – A# for a perfect fourth.
