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14 Φεβ 2018 · In this article I provide an overview of recent research and a sketch of music’s evolutionary career. I identify avenues for future research, including work in the evolution of the emotions, and the application of signalling theory to music archaeology.
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In this article I provide an overview of recent research and...
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Qipao, also called Cheongsam from Cantonese Chinese, was Republic of China's mandarin gown. The stylish and often tight-fitting, stand-collared Cheongsam or Qipao (Chipao) that is best...
12 Φεβ 2021 · Qipaos were actually derived from men’s clothing called changpaos, a long loose-fitting tunic with pants, according to the site. In the late 19th century women started to demand more equal rights with their male counterparts so they dressed in changpaos.
The qipao, also called cheongsam or changshan, is recognised as a formal dress and an icon of ethnicity, as well as an identity symbol for Chinese women all over the world (Ling, 2009). Supported by the Clothing Regulations of 1929 (Ling, 2013), it not only represents Chinese
THE EARLIEST TEXTS ABOUT MUSIC THEORY presently known from China are inscriptions on musical instruments found in the tomb of Marquis Yi of Zeng, the ruler of a small state in the middle Yangzi region, who died in 433 BC. Excavated in 1978, the tomb was an underground palace of sorts,
23 Οκτ 2023 · After an orientation to key historical works over a period of 2,500 years on tuning systems, the chapter focuses on the “natural sound” of just intonation, discussing how this precept was realized historically in actual musical practice on (and beyond) the guqin and how it interacted with the tonality provided through the sanfen sunyi ...
25 Αυγ 2021 · The qipao was developed not only from a traditional gown used by the Han (the majority Chinese ethnic group), but also integrated minority cultural elements and has recently added Western...
