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Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890. 1890. Oil on canvas. 29 x 36 1/2" (73.5 x 92.5 cm).
Sur l'émail d'un fond rythmique de mesures et d'angles, de tons et de teintes, Portrait de M. Félix Fénéon en 1890) is an oil-on-canvas painting by French Neo-impressionist artist Paul Signac, created in 1890.
12 Ιαν 2013 · However, there is more than meets the eye in Paul Signac’s pa inting, playfully entitled Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Colours, Portrait of M. Félix Fénéon in 1890. By 1886, the heyday of French Impressionism was over.
31 Οκτ 2018 · Paul Signac, Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890, Gift of Mr. and Mrs. David Rockefeller, Image source: https://www.moma.org/collection/works/78734 (detail)
15 Απρ 2020 · Paul Signac. The Demolition Worker. 1897–99. Oil on canvas. Signac called for artists to deliver the “forceful blow of a pickaxe to the antiquated social structure.” Here, he depicts demolition workers tearing down the edifice of the old order as a new dawn rises behind them.
Paul Victor Jules Signac ( seen-YAHK, French: [pɔl siɲak]; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, with Georges Seurat, helped develop the artistic technique Pointillism.
Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890 (1890)
