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Sur l'émail d'un fond rythmique de mesures et d'angles, de tons et de teintes, Portrait de M. Félix Fénéon en 1890) is an oil-on-canvas painting by French Neo-impressionist artist Paul Signac, created in 1890.
Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890. 1890. Oil on canvas. 29 x 36 1/2" (73.5 x 92.5 cm).
28 Αυγ 2024 · Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890 (85.1991) by Paul Signac. From Wikimedia Commons, the free media repository.
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12 Ιαν 2013 · However, there is more than meets the eye in Paul Signac’s pa inting, playfully entitled Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Colours, Portrait of M. Félix Fénéon in 1890.
Download this stock image: Paul Signac Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890 - EFYY74 from Alamy's library of millions of high resolution stock photos, illustrations and vectors.
11 Νοε 2022 · Opus 217 is one of the most notable works by Paul Signac, a Post-Impressionist artist who produced artworks in the distinctive Pointillist style. Initially trained as an architect, Signac decided to become a painter when he visited an exhibition displaying paintings by Claude Monet.