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Sur l'émail d'un fond rythmique de mesures et d'angles, de tons et de teintes, Portrait de M. Félix Fénéon en 1890) is an oil-on-canvas painting by French Neo-impressionist artist Paul Signac, created in 1890.
In this portrait, Signac depicted Fénéon in left profile. The lines of the subject’s nose, elbow, and cane descend in a zigzag pattern, like the rhythmic “beats and angles” of the title, and the flower he holds rhymes with the upturned curl of his goatee.
12 Ιαν 2013 · However, there is more than meets the eye in Paul Signac’s pa inting, playfully entitled Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Colours, Portrait of M. Félix Fénéon in 1890. By 1886, the heyday of French Impressionism was over.
Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890. 1890 572. Oil on canvas, 29 x 36 1/2" (73.5 x 92.5 cm). Gift of Mr. and Mrs. David Rockefeller. © 2024 Artists Rights Society (ARS), New York / ADAGP, Paris.
Paul Victor Jules Signac ( seen-YAHK, French: [pɔl siɲak]; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, with Georges Seurat, helped develop the artistic technique Pointillism.
11 Νοε 2022 · Opus 217 is one of the most notable works by Paul Signac, a Post-Impressionist artist who produced artworks in the distinctive Pointillist style. Initially trained as an architect, Signac decided to become a painter when he visited an exhibition displaying paintings by Claude Monet.
Paul Signac (1863-1935) was a French painter who was one of the leading figures of Neo-Impressionism. [1] Alongside other artists of the century, including Georges Seurat, Signac helped create the art ideals of the Neo-Impressionist era.
