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Piet Mondrian’s abstract language employed thick black lines and small rectangles of primary colors. He achieved compositional harmony through subtle asymmetry.
Composition with Red, Blue and Yellow is a 1930 painting [1] by Piet Mondrian, a Dutch artist who was a leading figure in the Neo-Plasticism movement. It consists of thick, black brushwork, defining the borders of colored rectangles.
Piet Mondrian: 1872-1944, Haags Gemeentemuseum, The Hague; National Gallery of Art, Washington; The Museum of Modern Art, New York, 1994-1996, no. 108, as TABLEAU NO. IV; Lozenge Composition with Red, Gray, Blue, Yellow, and Black.
Tableau No. IV, 1925 by Piet Mondrian. It is a commonplace about the classic phase of Mondrian's oeuvre that the artist achieves a subtle asymmetrical balance in his compositions.
Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘Tableau No. IV - Lozenge Composition’ was created by Piet Mondrian in Neoplasticism style.
Gallery Text. Mondrian’s adherence to the aesthetic theories of neoplasticism, a utopian approach that ascribes the power of spiritual progress and social change to geometric abstract painting, restricted him to the most basic artistic elements — horizontal and vertical lines — and to primary colors along with white, black, and gray.
Tableau No. IV: Lozenge Composition with Red, Gray, Blue, Yellow, and Black is one of sixteen paintings by Mondrian that are square and stand on one corner. The first was done in 1918, but most were painted in 1925 and 1926.
