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29 Ιουν 2017 · Ficino explained the relationship between music, the soul and body along with the cultivation of singing as an integral part of intellectual and spiritual exercise – as the ‘contemplation of the divine.’
- Full article: Poetry, Voice, Brain, and Body - Taylor & Francis Online
This article addresses the question of how poetry and deep...
- Full article: Poetry, Voice, Brain, and Body - Taylor & Francis Online
This book adopts an innovative approach towards analysing the soul-body problem by uncovering and emphasising the philosophical value of Plato's treatment of the phenomenon of music. By investigating in detail how Plato conceives of the musical experience and its influence on intelligence, passions and perceptions, it illuminates the ...
Summary. MUSIC AND PHILOSOPHY. In the Phaedo (60d–61b), Socrates confesses that throughout his life he had interpreted the oneiric warning: ‘practise and compose music’ (mousikēn poiei kai ergazou) as an invitation to practise the ‘greatest music’ (megistē mousikē) that is philosophy.
20 Απρ 2020 · This article addresses the question of how poetry and deep body-voice work share an ability to integrate body, mind, and feelings. Identifying five core poetry techniques, it discusses research that explains the way that poetry can affect brain and bodily sensations, as well as emotion and intellect.
Music without words, exciting pleasure, acts evasively on the soul.2 The only music admitted by Plato is the one in which the different linked to different characters are clearly specified and, of course, words play a capital role in this.
The poem thus figures the soul in the body and as a body, subject to and recoiling from physical sensation. This soul is itself twin: matter and spirit, cold and frightened, passive and active. (Its activity takes the form of self-consciousness: the soul finds itself shrinking and wincing.) This figurative or metaphorical body, as Augustine ...
5 Νοε 2014 · In the first part of the chapter, I will deal with the passages in which Plato treats the acoustic phenomena and their perception. Firstly, we will consider the literary aspect, which is also important when highlighting the attention that Plato dedicates to the dimensions of sound and hearing.
