Αποτελέσματα Αναζήτησης
12 Ιαν 2019 · From left: Cesare Borgia, Lucrezia Borgia, Pope Alexander VI, and a young man holding an empty glass. This very strange idea that one of the modern images of Jesus is based on Cesare originally comes from a claim made by the renowned novelist Alexandre Dumas and picked up and expanded upon by biblical theorists.
- The 110-Yr-Old Tree Stump That Became a Library
Sharalee Armitage Howard/ However, this remarkable little...
- The 110-Yr-Old Tree Stump That Became a Library
Pope Alexander lV then ordered the destruction of all art depicting a Semitic Jesus and commissioned a number of paintings depicting a Caucasian Jesus. His son, Cardinal Cesare Borgia, was the model for these paintings.
Cesare Borgia[b] (13 September 1475 – 12 March 1507) was an Italian cardinal and condottiero (mercenary leader), an illegitimate son of Pope Alexander VI and member of the Spanish- Aragonese House of Borgia. His fight for power was a major inspiration for The Prince by Niccolò Machiavelli.
1 Μαρ 2023 · That person, the author of such masterpieces as The Three Musketeers and The Count of Monte Cristo stated, was one Cesare Borgia, a fifteenth-century Italian cardinal and the son of Pope Alexander VI. There is indeed a striking similarity between Borgia, as he appears in several portraits that have survived him, and the modern image of Jesus.
The rediscovered fragment of a long-lost painting testifying to the Borgia pope's love affair with his beautiful teenage mistress is the focus of a new exhibit in Rome. The painting, which depicts a glowing Baby Jesus, originally formed part of a fresco that adorned the walls of Pope Alexander VI's personal chambers.
21 Μαρ 2024 · According to History Defined, “The Count of Monte Cristo” writer discovered extreme similarities between the Jewish prophet and the Christian son of God based on Cesare Borgia. The similarities between the modern depiction of Jesus and the surviving pictures of Cesare Borgia are undeniable.
2 Μαρ 2015 · This is not merely a consequence of the persistent image of Alexander as the first great ‘lawyer-pope’. It is worth noting that, from 1177–8 (which witnessed the very end of Alexander’s long struggle with the German emperor), there was no further schism within the Church for two hundred years.