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  1. Prehistorians, who have traditionally interpreted the evolution of prehistoric art as a steady progression from simple to more complex representations, may have to reconsider existing theories of the origins of art.

  2. 1 Νοε 2001 · PDF | Sophisticated examples of European palaeolithic parietal art can be seen in the caves of Altamira, Lascaux and Niaux near the Pyrenees, which date... | Find, read and cite all the...

  3. 1 Απρ 2018 · Given the stylistic affinity of the Asphendou Cave petroglyphs to other Palaeolithic cave art, and the increasingly abundant archaeological evidence for human habitation in Crete during the Palaeolithic period, this date should be considered highly plausible.

  4. 20 Φεβ 2018 · We argue that cave art is a form of cross-modality information transfer, in which acoustic signals are transformed into symbolic visual representations.

  5. Between 1900 and 1970, prehistoric representations were typically divided into two main groups: parietal art (including rock and cave art) and portable (or mobiliary) art. This classification gave rise to asymmetrical attitudes about Paleolithic images.

  6. This BA thesis is an attempt to determine whether prehistoric European cave paintings could have been a system of writing. The author, comparing sets of symbols and repetitive figurative motives to all known writing systems, proves that the prehistoric "art" of Europe could have been an ideographic system.

  7. 3 Ιουλ 2024 · A cave art scene at Leang Karampuang, Indonesia, dated to at least 51,200 years ago using laser-ablation uranium-series imaging, depicts human-like figures interacting with a pig.

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