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With an argument that was as much a critique of industrialism as it was a defense of slavery, Southern spokesmen contended that chattel slavery, as it was practiced in the American South, was more humane than the system of “wage slavery” that prevailed in the industrial North and Great Britain.
As the nation expanded in the 1830s and 1840s, the writings of abolitionists—a small but vocal group of northerners committed to ending slavery—reached a larger national audience. White southerners responded by putting forth arguments in defense of slavery, their way of life, and their honor.
Images accompanied several texts circulated in both White and Black owned abolitionist publications. Photography became a tool of political rhetoric, one with the potential to shape and challenge Americans attitudes on abolition.
The British proslavery movement opposed the abolition of the slave trade – from when the campaign for its abolition first began in 1783 until 1807, when it was abolished – and then opposed the abolition of slavery itself in British colonies until that was legislated in 1833.
27 Οκτ 2009 · The abolitionist movement was the effort to end slavery, led by famous abolitionists like Frederick Douglass, Harriet Tubman, Sojourner Truth and John Brown.
One of the most damning components of antislavery propaganda was its ability to make slavery appear un-Christian. Ironically, while abolitionist causes were institutionally linked to the Second Great Awakening (1800–1830s), the most prolific religious proslavery advocates were also caught up in new revivalism, specifically Presbyterian ...
From broadsides to paintings to medallions, abolitionists spread the message of the horrors, injustice, and immorality of slavery. The visualization of slavery in these multiple forms was meant to evoke an emotional response that would lead to activism and eventually to abolition.
