Yahoo Αναζήτηση Διαδυκτίου

Αποτελέσματα Αναζήτησης

  1. Pizzo Russo (2004) published a collection of essays, written with reference to the “core elements of Arnheim’s theory”, that is useful to understand in depth its essential features, scope and position within psychology and the psychology of art.

    • Login

      Pizzo Russo (2004) published a collection of essays, written...

    • Help Center

      Categories. Academia Free Features Click here to learn more...

    • Sign Up

      Academia.edu is the platform to share, find, and explore 50...

  2. 1 Ιαν 2021 · The color matching and layout are inseparable from the research on color art. Color art not only affects our vision, but also influences people's psychology and behavior through vision.

  3. download Download free PDF. View PDF chevron_right. Gestalt psychology was founded in 1910 by three German psychologists, Max Wertheimer, Kurt Koffka, and Wolfgang Köhler. The author discusses gestalt theory's influence on modern art and design, describes its resemblance to Japanese-inspired.

  4. impact of artistic creative activities (such as performing arts, visual arts, literature, online digital and electronic arts, and cultural engagement) on well-being, mental health, and life

  5. 9 Δεκ 2013 · This book explores the links between visual art and the brain by examining a broad range of issues including: the impact of eye and brain disorders on artistic output; the relevance of Darwinian principles to aesthetics; and the constraints imposed by brain processes on the perception of space, motion and colour in art.

  6. 25 Απρ 2016 · To begin addressing this, this paper presents a theoretical assessment, comparison, and new articulation of a selection of key contemporary cognitive or information-processing-based approaches detailing the mechanisms underlying the viewing of art. We review six major models in contemporary psychological aesthetics.

  7. This book explores the links between visual art and the brain by examining a broad range of issues including: the impact of eye and brain disorders on artistic output; the relevance of Darwinian principles to aesthetics; and the constraints imposed by brain processes on the perception of space, motion and colour in art.