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Low-Frequency Sounds, Music, and Annoyance. Sources of infrasound and low-frequency noise can be found in natural phenomena (wind, turbulence, storms, and earthquakes) and man-made sources, such as industrial installations and low-speed machinery (compressors, boilers, ventilation systems, trucks, cars, and ships) as well as a lot of ...
25 Απρ 2023 · The listener responds not only to sound in terms of wasteful annoyance, but within the soundscape paradigm, environmental sound can be interpreted as a resource composition that can elicit diverse affective reactions.
The urban environment is composed of several audible sources: Traffic (road, rail, and air), industrial facilities, civil construction and social activities (parties, fairs and open air markets, and residential noise). These all contribute to the conversion of the soundscape in noise pollution.
2 Οκτ 2014 · This chapter explores relationships between music and meaning, and between music and ideas of meaning. It reviews conceptualizations of meaning in general before surveying the ways in which meaning has been attributed to music in the course of Western intellectual history, providing a framework within which the privileging of the notion of the ...
8 Απρ 2013 · The core idea of this paper is that quiet and pleasant sonic environments allow the listener full freedom and control over mind-states. In contrast, annoying sounds “force” one to be vigilant or to attend particular sources.
11 Νοε 2016 · Traditionally, the influence of music on emotions has been described as dichotomous. The Greeks viewed it as either mimesis, a representation of an external reality, or catharsis, a purification of the soul through an emotional experience (Cook & Dibben, 2010).
To the sound system operators, organ grinders, and music listeners, their sounds are not “noise” but legitimate sources of enjoyment or income, and the label “noise” is rejected. Alternatively, noise as an attribute may be actively embraced (by those accused of it) as a form of resistance.
