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The automated nature of Can't Help Myself categorizes the sculpture as a work of kinetic art, which, in turn, generates an anthropomorphic quality to the robotic arm. [1] This anthropomorphism partially is because of the robotics performative nature and completion of the human task of cleaning up a spillage. [1]
13 Ιαν 2022 · In November, video of the Venice installation, which features a robotic arm that repeatedly swirls around and scrapes up a dark red substance resembling blood, became a meme of sorts on TikTok...
12 Μαΐ 2019 · sun yuan and peng yu have programmed the robot in can’t help myself to keep the thick, deep red liquid within a predetermined area. this blood-like fluid continually oozes away, triggering the...
9 Μαΐ 2019 · For this piece, Sun Yuan and Peng Yu use a Kuka industrial robot, stainless steel and rubber, cellulose ether in colored water, lighting grid with Cognex visual-recognition sensors, and ...
2 Δεκ 2021 · Layer 1: Observing. Watching before reading, I'm grabbed by the movements of the robotic arm. Contrasting the weight of the machinery with how swiftly it moves and pivots. Next, I notice the gorgeous shape created by the blade pushing back the liquid. Blood?
This time-lapse video documents the installation of Sun Yuan & Peng Yu's "Can't Help Myself" (2016), a large-scale installation featuring a robotic arm. Lear...
read more on designboom here: https://www.designboom.com/art/sun-yuan-peng-yu-cant-help-myself-robot-venice-art-biennale-05-12-2019/
