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The automated nature of Can't Help Myself categorizes the sculpture as a work of kinetic art, which, in turn, generates an anthropomorphic quality to the robotic arm. [1] This anthropomorphism partially is because of the robotics performative nature and completion of the human task of cleaning up a spillage. [1]
2 Δεκ 2021 · Layer 1: Observing. Watching before reading, I'm grabbed by the movements of the robotic arm. Contrasting the weight of the machinery with how swiftly it moves and pivots. Next, I notice the gorgeous shape created by the blade pushing back the liquid. Blood?
12 Μαΐ 2019 · sun yuan and peng yu have programmed the robot in can’t help myself to keep the thick, deep red liquid within a predetermined area. this blood-like fluid continually oozes away, triggering the...
It's programmed to sweep a blood-like substance perfectly in a circle only for it to stop working every time it approaches a perfect circle and mimic dance movements. This results in the blood to flow black again and splatter around, forcing the robot to repeat the action for eternity.
13 Ιαν 2022 · In November, video of the Venice installation, which features a robotic arm that repeatedly swirls around and scrapes up a dark red substance resembling blood, became a meme of sorts on TikTok...
8 Αυγ 2022 · The artwork Can’t Help Myself, by Chinese artists Sun Yuan & Peng Yu, is a machine inside of a glass cubicle, illuminated brightly from the ceiling by TL-lights. The machine consists of a robotic arm of the kind that is often used in production lines such as car factories.
Anchored to themes of bloodshed and cleansing, both Can’t Help Myself and Balkan Baroque visualizes the cycle of violence. Where the robot in Can’t Help Myself is subject to endless and futile labor, as she dutifully scrubs away viscera from bone, Abramovic is also increasingly enmeshed within the site of bloodshed. By the end of the ...
