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6 Σεπ 2018 · The Etruscan woman was the freest in ancient societies: refined, elegant, independent, beautiful. Through Etruscan art a fascinating journey into the Etruscan female universe.
Women's proper names frequently engraved on crockery and funerary frescoes include: Ati, Culni, Fasti, Larthia, Ramtha, Tanaquille, Veilia, Velia and Velka. By comparison, in Roman society, women are referred to by a feminized form of their nomen gentilicium: thus, all the women of the Livia gensare called Livia.
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics.
4 Σεπ 2017 · The greatest influence of Etruscan art, though, was on their immediate neighbours and cultural successors in general, the Romans. Rome conquered the Etruscan cities in the 3rd century BCE, but they remained independent centres of art production. Art works did reflect Roman tastes and culture, though, so that Etruscan and Roman art often became ...
Etruscan Women and Social Structure. The fabled liberty of Etruscan women, and Greek and Roman stereotypes. The matrilineal claim in light of matronymics, patronymics, and shifts to Roman patterns. Women in Etruscan religion, as reflected in tomb art and regalia.
Department of Greek and Roman Art, The Metropolitan Museum of Art. October 2004. The Etruscans were an ancient Italic culture linguistically identifiable by about 700 B.C. Their culture developed from a prehistoric civilization known as Villanovan (ca. 900–500 B.C.).
Women's role and image evolved during the millennium of the Etruscan period. Affluent women were well-groomed and lived a family life within society, where their role was important both politically and administratively.
