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Etruscan music had an early influence on that of the Romans. During the Imperial period , Romans carried their music to the provinces , while traditions of Asia Minor , North Africa , and Gaul became a part of Roman culture.
30 Απρ 2020 · Women performed inmime, pantomime and other kinds of song-and-dance entertainments from at least the middle of the Republican period through the sixth century CE. Like other actors, mimae were often slaves; unlike other actors, mimae were subject to relentlessly sexualized attention.
1 Φεβ 2015 · Some Roman women studied music seriously from an early age, and made a name for themselves as professional dancers, singers, and kitharists (lyre-players); girls as young as nine or ten might perform in public, as Phoebe Vocontia did, in Rome.
6 Σεπ 2018 · Only from the late republican age would Roman women begin to use the cognomen (a kind of nickname). Many attestations of female proper names of Etruscan women have survived: Velelia, Anthaia, Thania, Larthia, Tita, Nuzinai, Ramutha, Velthura
Some Roman women studied music seriously from an early age, and made a name for themselves as professional dancers, singers, and kitharists (lyre-players); girls as young as nine or ten might perform in public, as Phoebe Vocontia did, in Rome.
29 Μαΐ 2014 · The Etruscan interpreters of the Auloi, who were better known by the name of “subulones”, even brightened events for a long time and had a great prestige, mostly because Roman’s do not know how to interpret those instruments.
17 Ιαν 2018 · From Egyptian harps to Roman cornua (trumpets), from Mesopotamian songs to Greek hymns, not to mention a wealth of vases, frescoes, statues, and tablets, testifying to the importance of music in ancient societies: an exhibition called “Music!
