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  1. Pitch Class Sets. Yet another way to represent a scale is as a "pitch class set", where the tones are assigned numbers 0 to 11 (sometimes using "T" and "E" for 10 and 11), and the set enumerates the ones present in the scale. A pitch class set for the major scale is notated like this: {0,2,4,5,7,9,11}.

  2. In music theory, a scale is "any consecutive series of notes that form a progression between one note and its octave", typically by order of pitch or fundamental frequency. [1] [2] The word "scale" originates from the Latin scala, which literally means "ladder".

  3. A scale is a succession of pitches ascending or descending in steps. There are two types of steps: half steps and whole steps. A half step (H) consists of two adjacent pitches on the keyboard. A whole step (W) consists of two half steps.

  4. Contents. Index. <^ 🔗. 5.1 Introduction to Intervals. 🔗. Intervals are the building blocks of scales, chords (or harmonies), and melodies. Intervals are a measurement between two pitches, either vertically or horizontally. When measuring vertically, we refer to harmonic intervals because the two notes sound simultaneously.

  5. One way to measure the interval between two pitches is to count the number of scale degrees spanned by those pitches. Thus, for example, the interval from 1 up to 3 is called a 3rd (since it spans three scale degrees — 1, 2, and 3).

  6. Interval, Pitch, and Scale The science of musical sound can only take us so far along the road to appreciating, analyzing, and composing music. Intervals, or relationships between pitched sounds, are almost more important that the sounds themselves. They form the underpinnings of melody and harmony.

  7. Scales are anchored pitch systems. The anchor is the tonic, first note in the scale. The pitch intervals of the notes re: the tonic give the scale its characteristic tonality. Scales include both consonant and dissonant intervals that provide tonal contrast.

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