Αποτελέσματα Αναζήτησης
Neil Rhodes and Chris Jones. Sound Effects traces the history of the relationship between oral conditions and aural effect in English literature from its beginnings in the Anglo-Saxon period through to the twenty-first century.
SOUND AND LITERATURE. What does it mean to write in, through and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy gener-ated by the sonic in literary studies from the late nineteenth century to the present.
What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present.
This chapter selectively reviews the growing body of empirical research that is concerned with sound-related aspects of literary texts; particular attention is paid to prevalent concepts, theories, and methods, concluding with suggestions and recommendations for future investigation.
Sound Shape and Sound Effects of Literary Texts. Abstract: The sound of language comprises all articulatory, acoustic, and per-ceptual aspects of speech, including the phonological and phonetic recoding of orthographic symbols.
1 Ιουλ 2012 · This review considers evidence for a link between language and music at three levels of analysis: sound, structure, and meaning. These links not only inform our understanding of language and music, but also add to a more basic understanding of our processing of complex auditory stimuli, structure, meaning, and emotion.
This experience suggests that, from the listener’s standpoint, there are two quite distinct ways of attending to sound: one that focuses on the thereness of sound, on the sound-producer; and one that focuses on the hereness of sound, on the physiological and psychological effects of sound on the listener.
