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SOUND AND LITERATURE. What does it mean to write in, through and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy gener-ated by the sonic in literary studies from the late nineteenth century to the present.
What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present.
Sound Effects traces the history of the relationship between oral conditions and aural effect in English literature from its beginnings in the Anglo-Saxon period through to the twenty-first century.
The following list comprises writing, film, and sound from a range of authors, artists, and poets for whom the spaces between words, margins, and syllables coalesce to provide locations of communitas. The page becomes a destination, a portal, and a place of encounter.
1 Ιουλ 2012 · This review considers evidence for a link between language and music at three levels of analysis: sound, structure, and meaning. These links not only inform our understanding of language and music, but also add to a more basic understanding of our processing of complex auditory stimuli, structure, meaning, and emotion.
12 Ιουλ 2019 · The results of the analysis show that sound, being one of the most important elements of poetic texts, is able to obtain a specific semantic meaning of its own but is highly dependent on the...
In the various attempts by each of these early modern writers to transcribe or to describe on the literary page the distinctive forms of knowing derived from sonic experience, their texts explore the more contingent, situated forms of ‘meaning’ that result from acts of attentive listening.
