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by Alan Belkin. Presentation. The following is the table of contents of my book: General Principles of Harmony. Its aim is to discuss some general principles of harmony in concise, practical terms, and to provide guidance for student composers.
sounds, established patterns of melody, harmony, and rhythm, and an artistic conscious- ness that you draw upon thousands of times in the performance of a single composition, without conscious remembering or reasoning.
Rhythm, melody (Section 2.2.1), harmony (Section 2.3.1), timbre (Section 2.1.1), and texture (Section 3.1) are the essential aspects of a musical performance. They are often called the basic elements of music.
6 Ιαν 2015 · Musical texture is commonly described in terms of four categories: monophony, homophony, polyphony, and heterophony. Yet applying these concepts can be complicated. For example, consider the C-major prelude from the first book of Johann Sebastian Bach’s Well-Tempered Clavier.
OMT2 combines a variety of current approaches to the field: a traditional (yet relevant and modern) course in diatonic and chromatic harmony, up-to-date research on counterpoint and form, and a digestible introductions to post-tonal and twelve-tone theory. It also includes units on popular music and jazz.
In music, texture refers to the way the melodic, rhythmic, and harmonic materials of a composition are woven together. The study of the harmony of a composition includes the harmonic patterns and pro-gressions, the tonal implications of the harmony, and how the harmony is sustained and elaborated.
The textural elements are primary melody (PM), secondary melody (SM), parallel supporting melody (PSM), static support (SS), harmonic support (HS), rhythmic support (RS), and harmonic and rhythmic support (HRS). Primary melodies (PM) are the most important lines in a musical texture.
