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The invention of motion pictures was only possible due to the prior discovery of the phenomenon of persistence of vision, the prior invention of photography and the ability to produce photographs with very brief exposure times.
This paper outlines the development of motion pictures from a cultural perspective that includes some technical detail and thoughts on the future of motion pictures. In just over one century, motion pictures have changed the way humans live. At this moment, millions of people are watching movies in practically every corner of the world. Motion
1 a brief history of motion graphics early practices & pioneers The moving image in cinema occupies a unique niche in the history of twentieth-century art. Experimental film pioneers of the 1920s exerted a tremendous influence on succeeding generations of animators and graphic designers.
motion pictures soon became an instrument of mass culture and popular entertainment. From about 1904 until the present the fictional narrative has been the most prominent form of motion picture. All the subsequent technical improvement of motion pictures: sound, color, wide screen, video, and "virtual reality"
Edison’s motion picture system was a crucial antecedent for cinema not only in terms of technology, but also for the generation of a distinct set of motion picture practices.
Style andMedium inthe Motion Pictures byEriuin Panofsky Thefollowing essay is one of themostimportant statements yet madeonfilm aesthetics. Precisely andcompactly written, itcovers anenormous range ofideas and observations. Inaphrase here, a suggestion there, Erwin Panofsky opens upaworld ofinsight into thecomplex nature ofthemovie medium anditscontext inthehis- tory ofart. Whatmakes hisap-
The motion picture as an art form has had an amazing history during the short period of its development. Yet the question has been raised as to whether it is an art at all or merely an industry. leading New York exhibitor, Howard S. Cullman, has advanced.
