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Venetian painting. Titian, Salome with the Head of John the Baptist c. 1515; this religious work also functions as an idealized portrait of a beauty, a Venetian genre developed by Titian, supposedly often using Venetian courtesans as models. Venetian painting was a major force in Italian Renaissance painting and beyond.
The Bellinis and their peers developed a particularly Venetian style of painting characterized by deep, rich colors, an emphasis on patterns and surfaces, and a strong interest in the effects of light.
The central features of Veronese’s style, a brilliant illusionism and grand, sensuous style, were considered his greatest strengths. Adept at all the principal genres of painting—religious and secular, in both fresco and oil —he reached the height of his illusionistic brilliance and inventiveness in his fresco decorations for the villas ...
The Bellinis and their peers developed a particularly Venetian style of painting characterized by deep, rich colors, an emphasis on patterns and surfaces, and a strong interest in the effects of light.
The Bellinis and their peers developed a particularly Venetian style of painting characterized by deep, rich colors, an emphasis on patterns and surfaces, and a strong interest in the effects of light.
Considered to give primacy of colour over line, the tradition of the Venetian school contrasted with the Mannerism prevalent in the rest of Italy. The Venetian style exerted great influence...
The Bellinis and their peers developed a particularly Venetian style of painting characterized by deep, rich colors, an emphasis on patterns and surfaces, and a strong interest in the effects of light.
