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The "toga dress" first appeared in Westwood's spring/summer 1982 "Savage" collection. Although they were designed for women, Boy George and Steve Strange began wearing them on the London club scene in the early 1980s.
Collections: Savage, Spring-Summer 1982 – Flat cutting from Japan. – Inspired by: Matisse and Picasso. – “In taking from other cultures I’m just doing what Picasso did in his painting Demoiselles d’Avignon’” (Vivienne) – Examines rapport between clothes and the body. – Slashed sleeves and contrast linings.
12 Νοε 2004 · That year Westwood and McLaren launched their second collection, Savage (Spring/Summer 1982), which featured geometric American Indian patterns. Although the balance of Westwood and McLaren's creative partnership was changing, Vivienne still consulted Malcolm.
13 Ιουν 2024 · Vivienne Westwood and Andreas Kronthaler photographed at the Victoria and Albert Museum, London. Westwood is wearing a white viscose ‘Knocker’ dress from the Andreas Kronthaler for Vivienne Westwood ‘Rock Me Amadeus’ Collection, Spring-Summer 2020. Photo: © Ki Price
Westwood herself once said, 'You have a much better life if you wear impressive clothes.’ This ensemble is from Westwood’s ‘Punkature’ collection of Spring/Summer 1983. At the time, Westwood said, ‘I’m not interested in tailoring, but in the push and pull of the garment against the body.’
Vivienne Westwood's Punkature collection for spring/summer 1983 (a combination of "punk" and "couture") blends various motives of the everyday into a garment with a signature Westwood stamp.
Image credit: Wikimedia Commons. Westwood's name in fashion, from then on, only began to grow. Three years after the initial release of her first collection with McLaren, Westwood was invited to showcase her Spring-Summer 1984 collection “Hypnos” in Tokyo, at the “Hanae Mori's ‘Best of Five’” global fashion awards.
