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The notebooks of Leonardo Da Vinci, for example, included his descriptions to define light and make comparisons so as to differentiate between light and shadow.
Light is the basis of human sight. Light reflects off of objects and enters the eye where it is channelled to the retina and perceived as colours and shapes. Art has played with these perceptions over time, challenging viewers with what they see and understand from each piece.
30 Ιαν 2019 · In the history of art, various phases concerning the handling of light can be identified. In early Greek or Egyptian antiquity, a contrast in brightness exists between figures in the foreground and background, but this impression is achieved via object brightness, not via the lighting (Arnheim 1960).
Light in art includes using actual light--the lighting of artwork, how a light source might interact with an artwork, the use of reflections, and using light itself as an artistic medium--as well as using implied light to create the illusion of light in two-dimensional work.
4 Σεπ 2015 · The use of light in art spans movements and manifests itself in varied forms. From Caravaggio to Turrell, each artist used light in a way that shifted the paradigm of experiencing an artwork. Light’s universality is what makes it compelling, and it will undoubtedly continue to serve artists for centuries to come.
1 Ιαν 2013 · Taking as its starting point debates over the various definitions of art found in history, this article presents and discusses some of the major theories offered by both the analytic and...
The art historian Wolfgang Schöne divided the history of painting in terms of light into two periods: "proper light" (eigenlicht), which would correspond to medieval art; and "illuminating light" (beleuchtungslicht), which would develop in modern and contemporary art (Über das Licht in der Malerei, Berlin, 1979).
