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Traditional Korean Music: Its Genres and Aesthetics. Han Heungsub. Abstract. Traditional Korean music is classified into aak (ceremonial music) minsogak (folk music) and jeongak (classical music) or pungnyubang music, in which the traditional aak and minsogak are merged.
music is practiced and promoted on ‘global stages.’ Through in-depth case studies, the authors cover activities by professional and amateur musicians of both South and North Korean nationality or heritage, as well as by non-Korean.
1 Today, Korea generally has two musical cultures: one that embraces traditional music, referred to as kugak, and another that embraces Western music, referred to as yangak. The traditional music of Korea, or kugak, has played a vital role in ancient Korean society and its central folk music, as well as in court and ritual music. A few common
Traditional music (Korean: 國樂; Hangeul: 국악; gugak; lit. national music [1]) produced by Korea includes court music, folk music, poetic songs, and religious music used in shamanistic and Buddhist traditions. [2] Modern music includes K-pop (케이팝; keipap), the popular music of South Korea.
Fifteenth-century to twentieth-century Korean music: gugak and p’ansori. One culture specifically that lends itself to the study of history through music is that of the Korean Peninsula. In ancient Korea, most music was typically used for special occasions, ceremonies, and a symbol of national pride.
Korean Music in Historical Perspective. The data of Korean music history come chiefly from literature and archaeo- logy. Korea has been a literate culture for a very long time, the art of printing being known there for at least 1 ,200 years.
Among the many musical instruments used in the music rooted in Korea's past, what is now widely identified as kugak and rendered in English as "Korean traditional music," the kômun'go occupies a unique place.
