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During the Yugoslav Wars, music was at times used for militaristic and nationalistic purposes and as a form of violence; journalists documented instances where captives were forced to sing the nationalist songs of their captors.
Popular music in Yugoslavia includes the pop and rock music of the former SFR Yugoslavia, including all their genres and subgenres. The scene included the constituent republics: SR Slovenia, SR Croatia, SR Bosnia and Herzegovina, SR Montenegro, SR Macedonia and SR Serbia and its subunits: SAP Vojvodina and SAP Kosovo.
Yugoslav Wars; Part of the post–Cold War era: Clockwise from top-left: Officers of the Slovenian National Police Force escort captured soldiers of the Yugoslav People's Army back to their unit during the Slovenian War of Independence; a destroyed M-84 during the Battle of Vukovar; anti-tank missile installations of the Serbia-controlled Yugoslav People's Army during the siege of Dubrovnik ...
Characteristic attention was based on the concept of brotherhood and unity and the memory of the Communist Yugoslav Partisans' victory against fascists and nationalists as the rebirth of the Yugoslav people, although all forms of art flourished freely unlike in other socialist countries. In the SFRY the history of Yugoslavia during World War II ...
Various sources suggest that pop music existed in Serbia before the Second World War, including the claims of French entertainer Josephine Baker, who stated that she encountered gramophone records of this style of music during her trip to Serbia.
Serbia achieved its current borders at the end of World War II, when it became a federal unit within the Federal People's Republic of Yugoslavia (proclaimed in November 1945).
As the Yugoslav Wars raged through Bosnia and Croatia, the republics of Serbia and Montenegro, which remained relatively untouched by the war, formed a rump state known as the Federal Republic of Yugoslavia (FRY) in 1992.
