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22 Σεπ 2021 · A general overview of French theater with six chapters on the late 15th and 16th centuries. See, in particular, chapter 6, “Le théâtre des ‘bonnes villes’ (XVe–XVIe siècles)” by Jean-Pierre Bordier; and Part 3 (chapters 7–11), “La Renaissance ou l’apparition du ‘théâtre à texte’” by Marie-Madeleine Fragonard.
In the beginning of the Renaissance, there were two distinct kinds of theatrical productions. The first was of the type presented by the humanist Julius Laetus at the Accademia Romana, a semisecret society he founded in the mid-15th century for the purpose of reviving classical ideals.
Marked by the plays of Friedrich Schiller, the romantics often chose subjects from historic periods (the French Renaissance, the reign of Louis XIII of France) and doomed noble characters (rebel princes and outlaws) or misunderstood artists (Vigny's play based on the life of Thomas Chatterton).
Theatre design - Renaissance, Architecture, Scenery: During the late Middle Ages, the Confrérie de la Passion in Paris, a charitable institution that had been licensed to produce religious drama in 1402, converted a hall in the Hôpital de la Trinité into a theatre.
The French Renaissance was the cultural and artistic movement in France between the 15th and early 17th centuries. The period is associated with the pan-European [1] Renaissance, a word first used by the French historian Jules Michelet to define the artistic and cultural "rebirth" of Europe.
27 Ιαν 2016 · as Catherine de’ Medici and Ippolito d’Este, France was exposed to neoclassical drama, which had started to be produced by Italian humanists during the last years of the fifteenth century.
In the mid-1500s, French humanists* began attempting to revive the literary forms of ancient Greece and Rome. In 1552 playwright Étienne Jodelle restored the five-act play structure of ancient drama in Eugène. Jodelle intended this piece to be the first classical comedy of the French Renaissance.
